With Oscar Day nearing, here are the rest of our inane, wildly important comparisons between Oscar nominees and their MLB counterparts. As Stanley Kubrick once said, “The Oscars and MLB go together like…” Who knows what he said, but the connection was there!
The Supporting Actors
Arkin won his first Oscar in 2006 for Little Miss Sunshine, but he also received two nominations in the ‘60s. He’s never been the It Guy at any given time, but Arkin has been giving memorable performances like this one in Argo since the Millard Fillmore administration, give or take. A Hollywood kid from a Hollywood family, Arkin’s been one of the good guys in the business for half a century. Can’t imagine he has an enemy anywhere. Alan Arkin is…Kevin Millwood. Looks like a really nice guy, and there’s no evidence to suggest he’s otherwise. A long career of solid, and at times All-Star, performances. He even deserves more than what I’ve just written. Oh well, for another time.
Robert De Niro
With a legitimate chance at winning on Sunday, De Niro will be seeking his 3rd win. This marks his 7th nomination (7th!). As usual, De Niro seems to be right in the midst of the big race as well, as Silver Linings Playbook is a favorite to snag Best Picture. He’s been turning in iconic performances since he was Vito Corleone and even before, but his role in Playbook was filled with real, pure emotion, perhaps marking a difference from many of his bigger, louder roles. A man who would have been a HOF lock two decades ago, De Niro has not shied away from expanding his repertoire at any point, even allowing his role to become a supporting one so as to allow young stars like Jennifer Lawrence and Bradley Cooper to shine. De Niro is…Todd Helton. He still delivers remarkable performances, but still he allows for younger stars to shine as the franchise/films shift towards the next generation of talent.
Philip Seymour Hoffman
With his nomination for his work in The Master, PSH has now received nominations in four of the past eight Oscar races, with a win in 2006 for Capote. He’s a quirky man, to say the least, but Hoffman has been doing it right for a long time, including 2008, when he received two Golden Globe nominations. A true student of the craft, Hoffman has shown in recent years the ability to jump from biography to political drama to romantic comedy (HOW DID HE NOT GET AN OSCAR FOR ALONG CAME POLLY?!?!) without sacrificing his effectiveness. He does have a baseball connection, having portrayed Art Howe in Moneyball despite looking NOTHING like Art Howe! Not necessarily a late bloomer, but he has received well-deserved praise—at least from the Academy—only in recent years, as his prime seems to be dwindling. PSH is…Roy Halladay. Somewhat of a late bloomer, at least late to become a certified star. Also, both men are certainly quirky fellows trending towards crazy, “method actors” in their respective fields.
Tommy Lee Jones
Jones won an Oscar for The Fugitive in 1994, and this year marks his fourth nomination. He has a good chance this time around (in case you haven’t noticed, this category is WIDE OPEN, with 5 worthy nominees), and maybe a win would even get a smile out of Agent Kay. A wily, stoic veteran of the trade, Jones has been frowning his way through hits since Fugitive and then some. Lincoln was fantastic, and in this “credible” critic’s mind, the Picture race should come down to it and Playbook. That being said, I don’t think Jones should be bringing home a trophy of his own. Nevertheless, he has cemented himself as a staple of the industry and a stabilizing force amidst the chaos that is Hollywood fame. Tommy Lee Jones is…Michael Young. The workman of baseball, pure consistency over the course of a career, all accomplished without controversy or smiles. Epitome of professionalism as well as stoicism.
Having won a fully deserved BSA Oscar for Inglorious Basterds, Waltz has a good chance at making it two wins in two tries, thanks to his unique work as Dr. King Schultz in Django Unchained. We naïve Americans unfortunately did not know of this Austrian treasure—the anti-Schwarzenegger—until recent years, but I for one am glad we have the chance to see what we can. A delightful presence onscreen and off, and a solid SNL host if you didn’t see, Waltz is a late bloomer to our country but is making the most of his time. Tarantino knows he has a keeper, and don’t be surprised to see Waltz lurking in this category a couple more times before he’s done. Christoph Waltz is… Ichiro. As soon as he got here, his presence was felt with MVP caliber performance and sustained excellence. We wish he had been here longer, but we should enjoy the time we have to admire his unique brand of individual brilliance.
The Supporting Actresses
Only 38 and now four Oscar nominations with her work in The Master? Damn, girl. Four nominations in eight years is quite the run. Adams also has a baseball tie, but we as a site have decided to deny the existence of Trouble With the Curve, shockingly not nominated for any Oscars. She’s been always entertaining for about a decade now, whether as a nun, Chahhhhhhlene, or Princess Giselle. Side note: I am not ashamed to admit that Enchanted is and always will be wildly entertaining, and I can only hope the rumored sequel will soon become reality. A talented and adaptable performer with plenty of time left to fill up her trophy case, Amy Adams is…Prince Fielder. The fact that they look like siblings aside, both are winners who we often neglect when considering the finest in their generation. Overshadowed by other talented people at times, both continue to deliver impressive work. Princess Giselle and Prince Fielder? You’re welcome, future lovers.
Can’t say I’m a huge fan in general or of her performance in Lincoln itself, but I cannot deny that this is her third nomination, with two wins in her first two tries. Still find her a little annoying, and her barely bearable Oscar victory speech (NO, I will not provide a link. I’m not an enabler.) is, well, barely bearable. She’ll be remembered as a talented, successful actress who was recognized for her notable performances. Still, Sally Field, I really don’t like you. I really, really don’t. Sally Field is…Alex Rodriguez. He was great then he bottomed out, was sort of great, then plummeted again. He is a member of the I Could Have Been One of the Best Ever Without PEDs But Now My Career is Forever Tarnished group. Field has no known link to PEDs, but for me her career was tarnished when she seduced her way to earning Forrest Gump a football scholarship.
The probable winner in this category, Hathaway now has two nominations for uber-depressing performances, for Les Miserables this year and Rachel Getting Married in 2009. A somewhat polarizing actress since her breakthrough in 2001’s The Princess Diaries (everyone loves it, so don’t be ashamed), Hathaway has confirmed her place among the elite performers of her generation, and she will undoubtedly be found on A-lists and Oscar lists for years to come. Forgetting Bride Wars, as I’m sure she has, Hathaway has built up an impressive body of work, including her great performance in last summer’s blockbuster Catwoman Rides the Batpod. She has her prime before her at only 31, and her talent is apparent. Anne Hathaway is…Ryan Braun. An electric young talent with nearly limitless potential, generally admired but with some polarizing feature. Hathaway perhaps acted with a chip on her shoulder following personal troubles. Braun’s middle finger to the world of a 2012 season was fun to watch and underappreciated.
Real talk: no one saw The Sessions. No disrespect, and it’s nice for Hunt to receive a second nomination (she won for As Good as It Gets), but she will not be taking home the statue this year. She was in Twister, so there’s that. Certainly talented and respected by most everyone (me included, despite this mean take), Hunt is enjoying the ride as she nears 50. She had a solid ‘90s run as a go-to big name, but now Hunt is a solid performer winding down an All-Star, but probably not Hall of Fame career. She is… Edgar Renteria. He had some memorable moments around the same time of Hunt’s peak (see his 1997 World Series heroics), and he got a win as his career dwindled (2010 with the Giants), but in all truly a somewhat typical career. Sorry, you two.
Two nominations in three years ain’t so bad, and as you may have noticed, I unabashedly loved Silver Linings Playbook. She probably won’t win, but Weaver helped make a film that should not only be recognized as this year’s best, but as one of the best works in recent years. I’m not being mean about this one; Weaver actually hasn’t done that much work that anyone will remember. At 75, she seems content with the excellent performances she’s turned in the past few years. With great talent that most of us have only seen for a brief time period, Jacki Weaver is…the inverse of Rocco Baldelli. He came up as the prospect to watch and then burned out for reasons out of his control. She came to the forefront late but made an impact. She’s a little old for Rocco, but their careers kind of complete each other. Sounds like a movie waiting to be made…
Well, that concludes our biting Oscar commentary. Enjoy Sunday night and what is sure to be a memorable performance by Seth MacFarlane. Some have been alluded to, but here are our final predictions for the big ones:
Actor: Daniel Day-Lewis
Actress: Jennifer Lawrence
Supporting Actor: Christoph Waltz
Supporting Actress: Anne Hathaway
Director: Steven Spielberg (although David O. Russell would be a worthy victor)
Picture: Silver Linings Playbook